However.
And it is something of a however.
Not a but. Because, as it turns out, but(t)s are a bit problematic.
The people who run the venue are a bit on the conservative side. Prof B. -- who was the one who informed me that I was included in the show (yay!) -- also informed me that they specified no nudes.
Ulp.
I am, primarily, a figural artist. I love the figure. If I could take figure drawing classes every day for the rest of my life, I'd probably be quite happy. It's hard enough that people are reluctant to purchase nudes even though they understand it's artistic, and even admire the image. But to have a venue that won't show nudes, and not because of local ordinances -- that's demoralizing to me.
And they're not the only ones shying away from the nude. I've heard that one of the local colleges won't accept nude figural work for an inter-college show. What the heck is up with that? One of the things that is usually required for a college submission portfolio is figural work. The nude figure has a long and exalted history in art education. And for a college to refrain from hanging figural work . . .
I'm glad -- and lucky! -- that the school I go to is willing to hang nude figural work.
Anyway, if you're still with me, and you remember what I wrote at the very top, I mentioned I'm working on a number of pieces for the upcoming exhibition. I have a body of work, but that body is naked.
Oh, excuse me. Nude. *wink*
Here's something from my sketchbook that I'm going to expand on for the show:
Look Ma -- no breasts. I'm sure she'd be so proud.
On second thought, she'd probably try to have me committed. She's more into staid portraits and still lifes.
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